Reentry

KerbalOrbit dramatized. Rival engineers, renamed Valentina as "Vera Kass." Orbital mechanics approximately correct. Rooftop reconciliation that didn't happen. Dialogue not.

KerbalX ground control through eleven consecutive landing failures and the twelfth success. No narration. No score for twenty minutes. Twelfth landing in one uncut shot from three angles.

A dramatization of MSC-002 — the failed docking, the improvised EVA, the broken airlock, and the return. Three acts: preparation and launch (tense, compressed), the docking failure and the decision to send Valentina out (the film's best thirty minutes), and the reentry. The fictionalised mission director Orra Venn carries much of the film's emotional weight and is its most fully drawn character.

Ammie Voss's follow-up to Forty Seconds. Structured entirely around the contrast between EVA-001 and EVA-002 — Valentina Kerman's improvised emergency spacewalk during MSC-002, and Huddin Kerman's planned array deployment during RESTLESS integration. No narrator, no interviews. Built from available footage: the live broadcast of EVA-001, Huddin Kerman's Crewgram posts and suit telemetry, mission control audio from both EVAs, and a single extended sequence of the RESTLESS arrays deploying that Voss shot herself from a ground telescope. The final shot is the two visors side by side.

The MunShot Phase 2 landing dramatised. Valentina Kerman's descent and first step, the twelve hours of surface operations, and the ascent. Vestri's approach is restrained: no scoring during the landing sequence, the entire descent built from cockpit audio and HUD playback. The first act is the argument about who goes first. The second act is the Mun. The third act is the silence on the way home, which is the best thing in the film.

Voss's third MSC documentary. HESTIA's engineering culture through the eyes of its builders. Structured around Huddin Kerman's redundancy audit — the discovery that some subsystems have four layers of backup, and one has five. No narration. Built from integration footage, design review recordings, and a single twenty-minute sequence of Huddin explaining the ship's emergency power cascade to a new engineer using a whiteboard. The whiteboard sequence has been called "the best scene about engineering ever filmed" by OMQ.

A procedural drama about the docking specification failure that brought down Basic Station — told from three simultaneous perspectives: the NASA interface standards team who wrote the spec, the KerbalX engineer who signed off on the as-built port, and the internal KIA analyst who opened the monitoring file afterwards. Described in trade coverage as "a space program procedural in the mode of a legal thriller." No explosions. No speeches. Mostly documents, arguments about tolerances, and one kerbal who knew something was wrong and didn't say it loudly enough.

A documentary about FARVIEW-1 and the improbable chain of events that put a KeedMartin deep-space probe in solar orbit: Kerbin First Daily's POTHOLE module, CLEARVIEW-1's optics heritage, the Farewell Shot, the anomalous point source that NASA will not explain, and the Juno wormhole discovery that reframed the entire mission. Delvina Sorr has been asked to review a film that does not exist yet.

A documentary about the HESTIA program from assembly through transit. Not affiliated with NASA procurement. Tracks the HESTIA Eight from crew selection through departure, with emphasis on the integration culture that produced the redundancy audit. Lawyers watching. Voss has not confirmed. Delvina Sorr has confirmed she has opinions.

The Juno wormhole discovery reframed as a first-contact procedural. The anomaly detection from LSI 1's POTHOLE telescope, the SOLARCOM relay geometry, and the NASA non-denial pattern are all present. The third act argues with topology on purpose. Administrator played as kindly evasive, which is, per the Herald, accurate.

SOLARCOM network completion reframed as conspiracy procedural. Administrator played as kindly evasive. Third act argues with orbital mechanics on purpose. Now retrofitted with a post-credit scene referencing the Juno wormhole.